Fit and Finish: The endpin comes without the shaft (the wooden piece that sits in the endblock of the cello) which, if you are lucky enough to already have a shaft with the correctly sized hole in it, makes installation a piece of cake -- the rods can just be switched out. At 20 3/4" (53 cm) in length and 5/8" (8.5mm) in diameter, it is pretty typical in size. The rod is hollow and the finish an unremarkable chrome.
About my experience with the endpin: To establish a base line for the sound, I first played my cello with its usual endpin, which was made in England by Mark Jackson. I then switched out the endpins and played the same piece of music, not expecting any change. I was therefore surprised to find a definite improvement -- not so much in the color or quality of the sound, but in its dimension. The projection and range seemed considerably bigger than with the English endpin rod.
We also experimented with the bell endpin rod on some instruments at House of Note and noticed a similar enhancement of the sound projection.
Price: At House of Note, the endpin retails for three hundred dollars, which seems like a lot to spend on a piece of equipment the player never even looks at. However, this is roughly the amount a good set of strings would set you back, and whereas for a serious and frequent player the string purchase comes around once or twice every year, the Japanese endpin is a once-in-a-lifetime buy.
Conclusion: For a professional or serious amateur player, it might be well worth investigating the pruchase of a Japanese Bell endpin rod -- the increase in overtones makes up for the sticker shock!
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